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Attending to the Literary : The Distinctiveness of Literature
Attending to the Literary: The Distinctiveness of Literature is a foray into current debates about the nature of the literary.What is literary? Is literarity a thing? Are there still aesthetic standards of taste? Is the category of literary aesthetics an obstacle to understanding the uses of literature?What does it mean to count the reading of literature as an experience in its own right?What would be the deficits to human experience without literature?Attending to the Literary addresses all of these questions with a view to challenging the notion of literarity as merely representative of experience.On the contrary, Alan Singer shows how literarity is an enacting of experience.Through close readings of an eclectic repertoire of literary sentences – culled from the genres of fiction, poetry, and drama – Singer demonstrates how syntax stages human capacities for attending ever more consequentially to the world of practical experience.These stagings of forms of attention involve readers in the drama of reason-giving and expand the possibilities of rational imagination. Attending to the Literary speaks to a broad audience of readers for whom the question "Does literature matter?" remains an urgent intellectual challenge.
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The “Russian Idea” in International Relations : Civilization and National Distinctiveness
The "Russian Idea" in International Relations identifies different approaches within Russian Civilizational tradition — Russia’s nationally distinctive way of thinking — by situating them within IR literature and connecting them to practices of the country’s international relations. Civilizational ideas in IR theory express states’ cultural identification and stress religious traditions, social customs, and economic and political values.This book defines Russian civilizational ideas by two criteria: the values they stress and their global ambitions.The author identifies leading voices among those positioning Russia as an exceptional and globally significant system of values and traces their arguments across several centuries of the country’s development.In addition, the author explains how and why Russian civilizational ideas rise, fall, and are replaced by alternative ideas.The book identifies three schools of Russian civilizational thinking about international relations – Slavophiles, Communists, and Eurasianists.Each school focuses on Russia’s distinctive spiritual, social, and geographic roots, respectively.Each one is internally divided between those claiming Russia’s exceptionalism, potentially resulting in regional autarchy or imperial expansion, and those advocating the Russian Idea as global in its appeal.Those favoring the latter perspective have stressed Russia’s unique capacity for understanding different cultures and guarding the world against extremes of nationalism and hegemony in international relations. This book will be of interest to students and scholars of Russian foreign policy, Russia–Western relations, IR theory, diplomatic studies, political science, and European history, including the history of ideas.
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Media & Entertainment Law
Now in its fifth edition, this textbook combines comprehensive coverage with rigorous analysis of a key area of the law.The author illuminates how the courts strive to strike a balance between the freedoms and responsibilities of the press on the one hand and an individual’s right to privacy on the other. Maintaining its coverage of the law across the UK (including Scotland and Northern Ireland) and the EU, the new edition has been brought up to date with expert insights into significant developments and judgments, including: the impact of changes in intellectual property law, data protection, GDPR and copyright law post Brexit – including the cases of Schrems II and Ed Sheeran; analysis of new case law and developments in privacy and freedom of the media – including Duchess of Sussex (Meghan Markle) v The Mail on Sunday and ZXC v Bloomberg; the introduction of new Scottish defamation laws and the importance of defamatory meaning; the response to disinformation, fake news and social media – including tweeting jurors and contempt. With a variety of pedagogical features to encourage critical thinking, this unique textbook is essential reading for media and entertainment law courses at undergraduate and postgraduate levels and an insightful resource for students and reflective practitioners of journalism, public relations and media studies.
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Streaming Music : Practices, Media, Cultures
Streaming Music examines how the Internet has become integrated in contemporary music use, by focusing on streaming as a practice and a technology for music consumption.The backdrop to this enquiry is the digitization of society and culture, where the music industry has undergone profound disruptions, and where music streaming has altered listening modes and meanings of music in everyday life.The objective of Streaming Music is to shed light on what these transformations mean for listeners, by looking at their adaptation in specific cultural contexts, but also by considering how online music platforms and streaming services guide music listeners in specific ways.Drawing on case studies from Moscow and Stockholm, and providing analysis of Spotify, VK and YouTube as popular but distinct sites for music, Streaming Music discusses, through a qualitative, cross-cultural, study, questions around music and value, music sharing, modes of engaging with music, and the way that contemporary music listening is increasingly part of mobile, automated and computational processes.Offering a nuanced perspective on these issues, it adds to research about music and digital media, shedding new light on music cultures as they appear today.As such, this volume will appeal to scholars of media, sociology and music with interests in digital technologies.
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In this second edition, author Scott Kirkpatrick draws from over a decade of personal experience in the distribution arena to provide a clear and up-to-date overview of the entire film, television, and new media distribution business. Readers will learn what fuels the distribution process and exactly how the distribution business works from beginning to end—not merely what happens to a film or television series upon acquisition, but how distributors develop, presell and broker deals on content before it even exists.This new edition considers a much more international approach to media distribution, with case studies and analyses from across the globe.It also reflects on the ever-increasing relevance of diversity and inclusiveness in the industry, as well as the new media verticals like podcasts and the effects of social media influencers on the media landscape. The book will be an integral guidebook for any student or professional wishing to understand both the basics and the subtleties of media distribution.The book also contains a robust appendix containing in-depth studies of legal definitions, material delivery requirements, territory-by-territory financial projections and more.
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