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  • Streaming Music : Practices, Media, Cultures
    Streaming Music : Practices, Media, Cultures

    Streaming Music examines how the Internet has become integrated in contemporary music use, by focusing on streaming as a practice and a technology for music consumption.The backdrop to this enquiry is the digitization of society and culture, where the music industry has undergone profound disruptions, and where music streaming has altered listening modes and meanings of music in everyday life.The objective of Streaming Music is to shed light on what these transformations mean for listeners, by looking at their adaptation in specific cultural contexts, but also by considering how online music platforms and streaming services guide music listeners in specific ways.Drawing on case studies from Moscow and Stockholm, and providing analysis of Spotify, VK and YouTube as popular but distinct sites for music, Streaming Music discusses, through a qualitative, cross-cultural, study, questions around music and value, music sharing, modes of engaging with music, and the way that contemporary music listening is increasingly part of mobile, automated and computational processes.Offering a nuanced perspective on these issues, it adds to research about music and digital media, shedding new light on music cultures as they appear today.As such, this volume will appeal to scholars of media, sociology and music with interests in digital technologies.

    Price: 43.99 £ | Shipping*: 0.00 £
  • The Arena Concert : Music, Media and Mass Entertainment
    The Arena Concert : Music, Media and Mass Entertainment

    The Arena Concert: Music, Media and Mass Entertainment is the first sustained engagement with what might said to be - in its melding of concert and gathering, in its evolving relationship with digital and social media, in its delivery of event, experience, technology and star - the art form of the 21st century.This volume offers interviews with key designers, discussions of the practicalities of mounting arena concerts, mixing and performing live to a mass audience, recollections of the giants of late twentieth century music in performance, and critiques of latter-day pretenders to the throne.The authors track the evolution of the arena concert, consider design and architecture, celebrity and fashion, and turn to feminism, ethnographic research, and ideas of humour, liveness and authenticity, in order to explore and frame the arena concert.The arena concert becomes the “real time” centre of a global digital network, and the gig-goer pays not only for an immersion in (and, indeed, role in) its spectacular nature, but also for a close encounter with the performers, in this contained and exalted space.The spectacular nature of the arena concert raises challenges that have yet to be fully technologically overcome, and has given rise to a reinvention of what live music actually means. Love it or loathe it, the arena concert is a major presence in the cultural landscape of the 21st century.This volume finds out why.

    Price: 140.00 £ | Shipping*: 0.00 £
  • Television Music
    Television Music

    This Routledge Television Guidebook on Television Music provides a comprehensive overview of the engagement between music and television since the inception of network television broadcasting in the United States in the late 1940s.In this book, Norma Coates presents a "how-to" guide, providing examples and case studies of many approaches to making sense of how music functions on television.Music plays many roles on television—it can function as a soundtrack, comment on the narrative, or be part of the narrative itself.Music can be foundational to a genre and industrial structure like music television, or it can be the organizing principle for a type of program such as the televised singing contest.Music can provide content in the form of band or individual performances across a range of television genres.With case studies of popular shows like American Idol and Glee, this Television Guidebook aims to help students explore and understand how music contributes to television style, narrative, genre, and history.

    Price: 18.99 £ | Shipping*: 3.99 £
  • Streaming Music, Streaming Capital
    Streaming Music, Streaming Capital

    In Streaming Music, Streaming Capital, Eric Drott analyzes the political economy of online music streaming platforms.Attentive to the way streaming has reordered the production, circulation, and consumption of music, Drott examines key features of this new musical economy, including the roles played by data collection, playlisting, new methods of copyright enforcement, and the calculation of listening metrics.Yet because streaming underscores how uneasily music sits within existing regimes of private property, its rise calls for a broader reconsideration of music’s complex and contradictory relation to capitalism.Drott's analysis is not simply a matter of how music is formatted in line with dominant measures of economic value; equally important is how music eludes such measures, a situation that threatens to reduce music to a cheap, abundant resource.By interrogating the tensions between streaming’s benefits and pitfalls, Drott sheds light on music’s situation within digital capitalism, from growing concentrations of monopoly power and music’s use in corporate surveillance to issues of musical value, labor, and artist pay.

    Price: 25.99 £ | Shipping*: 3.99 £
  • Is Baroque music serious music or entertainment music?

    Baroque music can be seen as both serious music and entertainment music. On one hand, it was often composed for religious or ceremonial purposes, and its intricate compositions and use of counterpoint demonstrate a high level of musical sophistication. On the other hand, Baroque music was also performed in social settings and was meant to entertain and delight audiences. Its lively rhythms and expressive melodies were often used for dancing and other forms of entertainment. Therefore, Baroque music can be appreciated for its serious artistic qualities as well as its ability to provide enjoyment and entertainment.

  • What type of entertainment do you prefer: movies, series, or music?

    I prefer series because I enjoy the longer story arcs and character development that can occur over multiple episodes or seasons. I find it more engaging to follow a story over time rather than in a single sitting. Additionally, I appreciate the variety of genres and styles that series offer, allowing me to explore different types of storytelling and themes.

  • What is the difference between serious music and entertainment music?

    Serious music, also known as classical music, is typically more complex and structured, often requiring formal training to perform and appreciate. It is often focused on artistic expression and can be more emotionally and intellectually demanding. On the other hand, entertainment music, such as pop, rock, and hip-hop, is generally more accessible and designed to entertain and engage a wide audience. It often prioritizes catchy melodies, danceable rhythms, and relatable lyrics, and is more commonly associated with popular culture and commercial success.

  • Does entertainment determine the music videos?

    Entertainment can influence the content and style of music videos, but it does not necessarily determine them. While music videos are often created with the intention of entertaining and engaging audiences, they can also serve as a platform for artistic expression and storytelling. The creative vision of the artist and director, as well as the message of the song, can also play a significant role in shaping the content and direction of music videos. Ultimately, a combination of factors, including entertainment value, artistic vision, and the message of the music, can contribute to the final product.

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  • Before Streaming Music
    Before Streaming Music

    Travel back in time to find out what life was like before streaming music.Historical photographs, helpful infographics, and a “Blast from the Past” special feature provide readers an engaging overview of records, cassette tapes, and other ways people listened to their favorite tunes.

    Price: 10.99 £ | Shipping*: 3.99 £
  • From Footlights to "The Flickers," Collectible Sheet Music : Broadway Shows and Silent Movies
    From Footlights to "The Flickers," Collectible Sheet Music : Broadway Shows and Silent Movies

    From Footlights to "The Flickers" is the long awaited fourth book in the collectible sheet music series by Marion Short.Two of the most popular collecting categories are covered in this colorful book-the music of the Broadway stage, and silent screen movie music.Over 560 full color photographs of sheet music covers from musical shows and silent movies accompany the informative text.The movie songs are arranged alphabetically by cover personality, and the section becomes a compendium of all the major silent screen stars from the earliest days of the "flickers" to the sound revolution in 1929. From Footlights to "The Flickers" follows the success of Mrs. Short's other books about sheet music, The Gold in Your Piano Bench (tearjerkers, black songs, rags, and blues), More Gold in Your Piano Bench (inventions, wars, and disasters), and Covers of Gold (sports, fashion, illustration, and the dance).

    Price: 27.99 £ | Shipping*: 0.00 £
  • Music for Film and Television
    Music for Film and Television


    Price: 14.49 £ | Shipping*: 3.99 £
  • Music from the Batman Movies
    Music from the Batman Movies


    Price: 24.99 £ | Shipping*: 3.99 £
  • Is music important to you in movies and TV shows?

    Yes, music is very important to me in movies and TV shows. It can set the tone, create emotion, and enhance the overall viewing experience. The right music can make a scene more impactful and memorable, and it can also help to convey the message or theme of the story. Good music can draw me into the world of the movie or show and make the viewing experience more immersive and enjoyable.

  • How does music recognition work in TV shows and movies?

    Music recognition in TV shows and movies typically involves using a database of songs and soundtracks to identify the music being played in a particular scene. This database is often created by music supervisors who work closely with the production team to select the right music for each scene. When a song is played, software can analyze the audio and compare it to the database to determine the exact song and artist. This information is then displayed on screen for viewers to see.

  • What music streaming services are available for classical music?

    There are several music streaming services that cater specifically to classical music, including Primephonic, Idagio, and Naxos Music Library. These platforms offer extensive catalogs of classical music, curated playlists, and high-quality audio streaming. Additionally, mainstream services such as Spotify and Apple Music also have a wide selection of classical music, although they may not offer the same level of specialized features as the dedicated classical music streaming services.

  • How does the music recognition work in TV shows and movies?

    Music recognition in TV shows and movies is typically done through a process called music supervision. Music supervisors work with the creators of the show or movie to select and license the appropriate music for specific scenes. They use their knowledge of music and the industry to find the right songs that fit the mood and tone of the scene. Additionally, they also handle the legal and financial aspects of using the music, such as obtaining the necessary permissions and negotiating the licensing fees. This process ensures that the music enhances the storytelling and overall experience of the show or movie.

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