Products related to Digital:
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The New Brazilian Mediascape : Television Production in the Digital Streaming Age
How new media is ushering in a more diverse Brazilian national identityIn this book, Eli Carter explores the ways in which the movement away from historically popular telenovelas toward new television and internet series is creating dramatic shifts in how Brazil imagines itself as a nation, especially within the context of an increasingly connected global mediascape.For more than half a century, South America’s largest over-the-air network, TV Globo, produced long-form melodramatic serials that cultivated the notion of the urban, upper-middle-class white Brazilian.Carter looks at how the expansion of internet access, the popularity of web series, the rise of independent production companies, and new legislation not only challenged TV Globo’s market domination but also began to change the face of Brazil’s growing audiovisual landscape.Combining sociohistorical, economic, and legal contextualization with close readings of audiovisual productions, Carter argues that a fragmented media has opened the door to new voices and narratives that represent a more diverse Brazilian identity. A volume in the series Reframing Media, Technology, and Culture in Latin/o America, edited by Héctor Fernández L’Hoeste and Juan Carlos Rodríguez.
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Digital Media Law : A Practical Guide for the Media and Entertainment Industries
Digital Media Law offers a practical guide to the law of media and communication, focusing on digital channels, models, and technologies.It draws together the aspects of media law that are most critical for those engaged in the production and distribution of digital media, from traditional broadcasters and internet-based services to major internet platforms. As an expert scholar and educator in media law, Christopher S.Reed brings considerable experience as an in-house lawyer for a U.S.-based media company with extensive news, sports, and entertainment operations.This blend of practical and scholarly insight delivers a textbook which packs foundational principles and concepts into the context of the digital environment, focusing on how those doctrines are applied in the face of rapidly evolving newsgathering, production, and distribution technologies.Key features include:"In the News" sections that tie the legal principles to real-world events or situationsAn integrated fictional case study of a media enterpriseInsights into digital media policyThis accessible textbook is the ideal companion for advanced undergraduate and graduate students as well as practitioners interested in law, journalism, and media studies.
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Digital Film and Television Culture : From Hollywood to Social Media
Digital Film and Television Culture introduces a new framework for the aesthetic and cultural analysis of contemporary film and serial drama, stars on social media, and movie awards shows.It examines contemporary digital media culture with four specific case studies, their cultural contexts, and how audiences engage with them online. Drawing on two perspectives - the digital media circuit and the expanded cultural forum - as frameworks for the analysis, this book explores the complexity of film and television culture in the digital age.The analysis encompasses films with experimental storytelling techniques, from blockbusters to art film, coming-of-age serial drama as hybrid-genre, the visual identity narratives of movie stars on social media and the broadcast movie awards as a cultural authority in the era of streaming.The book offers in-depth case studies of Everything Everywhere All at Once, Stranger Things, the performance of Zendaya and Timothée Chalamet on Instagram, and the Academy Awards Ceremony as live media event genre.Each chapter includes a genre analysis, an examination of the cultural context and a micro-study of how audiences engage on Letterboxd, Reddit, or other social media. This timely, cross-disciplinary book is essential reading for students and scholars in film, media, cultural studies, celebrity and digital cultures and for anyone interested in contemporary film and television culture.
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Digital Film and Television Culture : From Hollywood to Social Media
Digital Film and Television Culture introduces a new framework for the aesthetic and cultural analysis of contemporary film and serial drama, stars on social media, and movie awards shows.It examines contemporary digital media culture with four specific case studies, their cultural contexts, and how audiences engage with them online. Drawing on two perspectives - the digital media circuit and the expanded cultural forum - as frameworks for the analysis, this book explores the complexity of film and television culture in the digital age.The analysis encompasses films with experimental storytelling techniques, from blockbusters to art film, coming-of-age serial drama as hybrid-genre, the visual identity narratives of movie stars on social media and the broadcast movie awards as a cultural authority in the era of streaming.The book offers in-depth case studies of Everything Everywhere All at Once, Stranger Things, the performance of Zendaya and Timothée Chalamet on Instagram, and the Academy Awards Ceremony as live media event genre.Each chapter includes a genre analysis, an examination of the cultural context and a micro-study of how audiences engage on Letterboxd, Reddit, or other social media. This timely, cross-disciplinary book is essential reading for students and scholars in film, media, cultural studies, celebrity and digital cultures and for anyone interested in contemporary film and television culture.
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Do digital media harm education?
Digital media can have both positive and negative impacts on education. While digital media can provide access to a wealth of information and resources, it can also be a distraction for students and lead to decreased attention spans. Additionally, the constant use of digital media can contribute to a sedentary lifestyle and have negative effects on physical and mental health. It is important for educators and students to find a balance in using digital media for educational purposes while also being mindful of its potential drawbacks.
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"Does my television support digital cable television?"
To determine if your television supports digital cable television, you can check the specifications of your TV model. Look for terms like "ATSC tuner" or "QAM tuner" in the user manual or on the manufacturer's website. These tuners are necessary for receiving digital cable signals. If your TV does not have these tuners, you may need to purchase a separate set-top box or digital converter to access digital cable channels.
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What are analog and digital media?
Analog media refers to traditional forms of media that store information in a physical format, such as vinyl records, cassette tapes, and printed photographs. These media rely on physical properties to capture and reproduce sound or images. On the other hand, digital media refers to media that store and transmit information in a digital format, such as MP3 files, digital photographs, and online videos. Digital media uses binary code to represent and transmit information, allowing for easy storage, manipulation, and transmission of data. Overall, analog media relies on physical properties to capture and reproduce information, while digital media uses binary code and electronic devices to store and transmit data.
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Is the television a digital medium?
Yes, television can be considered a digital medium. With the advancement of technology, many televisions now use digital signals to transmit audio and video content. Digital television offers higher quality images and sound compared to analog television, and it allows for additional features such as interactive content and on-demand programming. Additionally, many modern televisions are equipped with internet connectivity, further blurring the lines between traditional television and digital media.
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Work in the Digital Media and Entertainment Industries : A Critical Introduction
This book is a first-of-its-kind critical interdisciplinary introduction to the economic, political, cultural, and technological dimensions of work in the rapidly growing digital media and entertainment industries (DMEI). Tanner Mirrlees presents a comprehensive guide to understanding the key contexts, theories, methods, debates, and struggles surrounding work in the DMEI.Packed with current examples and accessible research findings, the book highlights the changing conditions and experiences of work in the DMEI.It surveys the DMEI’s key sectors and occupations and considers the complex intersections between labor and social power relations of class, gender, and race, as well as tensions between creativity and commerce, freedom and control, meritocracy and hierarchy, and precarity and equity, diversity, and inclusivity.Chapters also explore how work in the DMEI is being reshaped by capitalism and corporations, government and policies, management, globalization, platforms, A.I., and worker collectives such as unions and cooperatives.This book is a critical introduction to this growing area of research, teaching, learning, life, labor, and organizing, with an eye to understanding work in the DMEI and changing it, for the better. Offering a broad overview of the field, this textbook is an indispensable resource for instructors, undergraduates, postgraduates, and scholars.
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Digital Media Ethics
The original edition of this accessible and interdisciplinary textbook was the first to consider the ethical issues of digital media from a global, cross-cultural perspective. This third edition has been thoroughly updated to incorporate the latest research and developments, including the rise of Big Data, AI, and the Internet of Things.The book’s case studies and pedagogical material have also been extensively revised and updated to include such watershed events as the Snowden revelations, #Gamergate, the Cambridge Analytica scandal, privacy policy developments, and the emerging Chinese Social Credit System. New sections include “Death Online,” “Slow/Fair Technology”, and material on sexbots.The “ethical toolkit” that introduces prevailing ethical theories and their applications to the central issues of privacy, copyright, pornography and violence, and the ethics of cross-cultural communication online, has likewise been revised and expanded.Each topic and theory are interwoven throughout the volume with detailed sets of questions, additional resources, and suggestions for further research and writing.Together, these enable readers to foster careful reflection upon, writing about, and discussion of these issues and their possible resolutions. Retaining its student- and classroom-friendly approach, Digital Media Ethics will continue to be the go-to textbook for anyone getting to grips with this important topic.
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Interactive Digital Television : Technologies and Applications
Presents the developments in the domain of interactive digital television covering both technical and business aspects.This work focuses on analyzing concepts, research issues, and methodological approaches, offering solutions such as systems and prototypes.
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Lighting for Digital Video and Television
This book gives a comprehensive overview of lighting equipment and techniques for digital production.Suitable for either beginners or more advanced users, the fully updated fourth edition covers human sight vs. film or video, the basic issues of contrast and exposure, with explanation of how exposure of digital video differs from analog video or film, electrical connectors, requirements, electrical load management, safety issues, and the latest LED systems. A variety of basic lighting setups for different situations are explained, with clear diagrams and photos showing the "look" of each approach.Techniques for shooting in available light and dealing with color problems in mixed lighting situations is examined.More advanced film-style lighting is covered, especially techniques in creating a convincing realistic look.A special section deals with solutions to common problems, ranging from reflections on glasses and dealing with white walls, to lighting very light-skinned and very dark-skinned subjects in the same shot.Special lighting situations, such as lighting night scenes or bluescreen sets, are covered in detail, with studio lighting covered in a dedicated separate chapter.The book is also peppered with anecdotes and trivia about lighting techniques and the lighting trade.It is the ideal text for both beginners studying lighting and cinematography, as well as more advanced practitioners.
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Is digital media really better in school?
Digital media can offer several benefits in schools, such as providing access to a vast amount of information, enabling interactive and engaging learning experiences, and catering to different learning styles. However, it is essential to use digital media thoughtfully and in moderation, as excessive screen time can have negative effects on students' attention spans and overall well-being. Ultimately, the effectiveness of digital media in schools depends on how it is integrated into the curriculum and how it complements traditional teaching methods.
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Do digital media inevitably lead to addiction?
Digital media itself does not inevitably lead to addiction, but it can certainly contribute to addictive behaviors in some individuals. The constant availability and accessibility of digital media can make it easier for people to engage in excessive and compulsive use, leading to addiction. However, addiction is a complex issue that is influenced by a variety of factors, including individual susceptibility, mental health, and social environment. Therefore, while digital media can be a contributing factor to addiction, it is not the sole cause.
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What are analog and digital storage media?
Analog storage media refers to physical formats that store data in a continuous, non-discrete manner, such as vinyl records, cassette tapes, and VHS tapes. Digital storage media, on the other hand, stores data in a discrete, binary format, such as CDs, DVDs, and hard drives. Digital media allows for more efficient and reliable storage and retrieval of data, while analog media is more susceptible to degradation and loss of quality over time.
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How do you argue about digital media?
When arguing about digital media, it's important to consider the sources of information and to critically evaluate the credibility and bias of those sources. It's also important to consider the potential impact of digital media on society, such as its influence on public opinion and behavior. Additionally, it's important to acknowledge the complexities of digital media and to approach the argument with an open mind, being willing to listen to different perspectives and engage in constructive dialogue.
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