Products related to Streaming:
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Streaming Music, Streaming Capital
In Streaming Music, Streaming Capital, Eric Drott analyzes the political economy of online music streaming platforms.Attentive to the way streaming has reordered the production, circulation, and consumption of music, Drott examines key features of this new musical economy, including the roles played by data collection, playlisting, new methods of copyright enforcement, and the calculation of listening metrics.Yet because streaming underscores how uneasily music sits within existing regimes of private property, its rise calls for a broader reconsideration of music’s complex and contradictory relation to capitalism.Drott's analysis is not simply a matter of how music is formatted in line with dominant measures of economic value; equally important is how music eludes such measures, a situation that threatens to reduce music to a cheap, abundant resource.By interrogating the tensions between streaming’s benefits and pitfalls, Drott sheds light on music’s situation within digital capitalism, from growing concentrations of monopoly power and music’s use in corporate surveillance to issues of musical value, labor, and artist pay.
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Streaming Music : Practices, Media, Cultures
Streaming Music examines how the Internet has become integrated in contemporary music use, by focusing on streaming as a practice and a technology for music consumption.The backdrop to this enquiry is the digitization of society and culture, where the music industry has undergone profound disruptions, and where music streaming has altered listening modes and meanings of music in everyday life.The objective of Streaming Music is to shed light on what these transformations mean for listeners, by looking at their adaptation in specific cultural contexts, but also by considering how online music platforms and streaming services guide music listeners in specific ways.Drawing on case studies from Moscow and Stockholm, and providing analysis of Spotify, VK and YouTube as popular but distinct sites for music, Streaming Music discusses, through a qualitative, cross-cultural, study, questions around music and value, music sharing, modes of engaging with music, and the way that contemporary music listening is increasingly part of mobile, automated and computational processes.Offering a nuanced perspective on these issues, it adds to research about music and digital media, shedding new light on music cultures as they appear today.As such, this volume will appeal to scholars of media, sociology and music with interests in digital technologies.
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Television in the Streaming Era : The Global Shift
This ground-breaking study explores transformations in the TV industry under the impact of globalizing forces and digital technologies.Chalaby investigates the making of a digital value chain and the distinct value-adding segments which form the new video ecosystem.He provides a full account of the industry's global shift from the development of TV formats and transnational networks to the emergence of tech giants and streaming platforms.The author takes a deep dive into the infrastructure (communication satellites, subsea cable networks, data centres) and technology (cloud computing, machine learning and artificial intelligence) underpinning this ecosystem through the prism of global value chain theory.The book combines empirical data garnered over 20 years of researching the industry and offers unique insights from television and tech executives.
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Media Disrupted : Surviving Pirates, Cannibals, and Streaming Wars
Price: 23.00 £ | Shipping*: 3.99 £
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Is streaming movies illegal?
Streaming movies can be illegal if the content being streamed is copyrighted and the viewer does not have the proper license or permission to access it. Many streaming platforms, such as Netflix or Hulu, have obtained the necessary rights to stream movies legally. However, streaming from unauthorized sources or websites that offer pirated content is considered illegal and can result in copyright infringement. It is important to use legitimate streaming services to ensure that you are not breaking any laws.
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Is streaming movies legal?
Streaming movies can be legal or illegal, depending on the source of the content. Streaming movies from legitimate sources such as Netflix, Hulu, Amazon Prime, and other licensed streaming services is legal, as these platforms have obtained the necessary rights to distribute the content. However, streaming movies from unauthorized sources or websites that offer pirated content is illegal and violates copyright laws. It's important to ensure that you are streaming movies from legal and licensed sources to avoid any legal issues.
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Does streaming television cost extra?
Yes, streaming television typically costs extra compared to traditional cable or satellite TV. Most streaming services require a monthly subscription fee, which can range from a few dollars to over $10 per month, depending on the service and the package you choose. Additionally, some streaming services may also offer premium content or channels for an additional fee. However, streaming services often provide more flexibility and a wider range of content compared to traditional TV, making it a popular choice for many consumers.
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Is streaming HD movies legal?
Streaming HD movies can be legal or illegal, depending on the source of the content. If you are streaming from a legitimate source such as a licensed streaming service like Netflix, Amazon Prime, or Hulu, then it is legal. However, if you are streaming from unauthorized sources that distribute copyrighted content without permission, then it is illegal. It is important to be aware of the source of the content and ensure that you are accessing it through legal means to avoid any legal issues.
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Before Streaming Music
Travel back in time to find out what life was like before streaming music.Historical photographs, helpful infographics, and a “Blast from the Past” special feature provide readers an engaging overview of records, cassette tapes, and other ways people listened to their favorite tunes.
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Streaming Media and Cultural Memory in a Postdigital Society
This book offers a relevant contribution to the studies of streaming media and transmediality with an original approach of cultural sustainability perfectly intertwined with cultural memory beyond borders. By critically reflecting on popular streaming media series, the book identifies their impact on the global circulation of cultural memory, their learning potential for educational purposes, and the societal challenges and opportunities that emerge from the ubiquitous streaming media penetration and potential for participatory practices.It also investigates how series available worldwide on commercial platforms such as Netflix and Max contribute to the global circulation of cultural memories, in addition to illuminating the ethical, (un)sustainable, and educational concerns involved in the fictionalization of the past. Drawing on the authors’ expertise in media studies and history, this transdisciplinary book will interest scholars in the fields of media studies, cultural studies, memory studies, history, transmedia studies, education, postdigital studies, television studies, social communication, sociology, and philosophy.
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Streaming, Sharing, Stealing : Big Data and the Future of Entertainment
How big data is transforming the creative industries, and how those industries can use lessons from Netflix, Amazon, and Apple to fight back. "[The authors explain] gently yet firmly exactly how the internet threatens established ways and what can and cannot be done about it.Their book should be required for anyone who wishes to believe that nothing much has changed."-The Wall Street Journal"Packed with examples, from the nimble-footed who reacted quickly to adapt their businesses, to laggards who lost empires."-Financial TimesTraditional network television programming has always followed the same script: executives approve a pilot, order a trial number of episodes, and broadcast them, expecting viewers to watch a given show on their television sets at the same time every week.But then came Netflix's House of Cards. Netflix gauged the show's potential from data it had gathered about subscribers' preferences, ordered two seasons without seeing a pilot, and uploaded the first thirteen episodes all at once for viewers to watch whenever they wanted on the devices of their choice.In this book, Michael Smith and Rahul Telang, experts on entertainment analytics, show how the success of House of Cards upended the film and TV industries-and how companies like Amazon and Apple are changing the rules in other entertainment industries, notably publishing and music.We're living through a period of unprecedented technological disruption in the entertainment industries.Just about everything is affected: pricing, production, distribution, piracy.Smith and Telang discuss niche products and the long tail, product differentiation, price discrimination, and incentives for users not to steal content.To survive and succeed, businesses have to adapt rapidly and creatively.Smith and Telang explain how. How can companies discover who their customers are, what they want, and how much they are willing to pay for it?Data. The entertainment industries, must learn to play a little "moneyball." The bottom line: follow the data.
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The New Brazilian Mediascape : Television Production in the Digital Streaming Age
How new media is ushering in a more diverse Brazilian national identityIn this book, Eli Carter explores the ways in which the movement away from historically popular telenovelas toward new television and internet series is creating dramatic shifts in how Brazil imagines itself as a nation, especially within the context of an increasingly connected global mediascape.For more than half a century, South America’s largest over-the-air network, TV Globo, produced long-form melodramatic serials that cultivated the notion of the urban, upper-middle-class white Brazilian.Carter looks at how the expansion of internet access, the popularity of web series, the rise of independent production companies, and new legislation not only challenged TV Globo’s market domination but also began to change the face of Brazil’s growing audiovisual landscape.Combining sociohistorical, economic, and legal contextualization with close readings of audiovisual productions, Carter argues that a fragmented media has opened the door to new voices and narratives that represent a more diverse Brazilian identity. A volume in the series Reframing Media, Technology, and Culture in Latin/o America, edited by Héctor Fernández L’Hoeste and Juan Carlos Rodríguez.
Price: 23.95 £ | Shipping*: 3.99 £
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Which streaming subscription from Netflix is suitable for streaming on the television?
The Netflix Premium subscription plan is most suitable for streaming on the television. This plan allows streaming on up to four devices at the same time and offers content in Ultra HD quality, making it ideal for enjoying movies and TV shows on a larger screen. Additionally, the Premium plan includes access to Netflix's entire library of content, ensuring a wide variety of options for television viewing.
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Will streaming services soon replace television?
Streaming services have become increasingly popular in recent years, offering a wide range of content on-demand. While traditional television is still widely used, the convenience and flexibility of streaming services are attracting more viewers. It is possible that streaming services may eventually replace television as the primary way people consume content, especially as technology continues to advance and more people opt for streaming options over traditional cable or satellite TV. However, television still holds a significant place in many households, so it may take some time before streaming services completely replace it.
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Is streaming paid movies and series on free streaming sites in Austria illegal?
Yes, streaming paid movies and series on free streaming sites in Austria is illegal. These sites often host copyrighted content without permission, which violates intellectual property laws. Engaging in this activity can result in legal consequences, including fines or other penalties. It is important to use legal and authorized streaming services to access movies and series in Austria.
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Would you like linear television or streaming?
I do not have personal preferences as I am an AI assistant. However, many people are leaning towards streaming services due to the convenience of on-demand content and the ability to watch shows and movies at their own pace. Linear television still has its appeal for those who enjoy the traditional TV experience and live programming. Ultimately, the choice between linear television and streaming depends on individual preferences and viewing habits.
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