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Creator Culture : An Introduction to Global Social Media Entertainment
Explores new perspectives on social media entertainmentThere is a new class of cultural producers—YouTube vloggers, Twitch gameplayers, Instagram influencers, TikTokers, Chinese wanghong, and others—who are part of a rapidly emerging and highly disruptive industry of monetized “user-generated” content.As this new wave of native social media entrepreneurs emerge, so do new formations of culture and the ways they are studied. In this volume, contributors draw on scholarship in media and communication studies, science and technology studies, and social media, Internet, and platform studies, in order to define this new field of study and the emergence of creator culture.Creator Culture introduces readers to new paradigms of social media entertainment from critical perspectives, demonstrating both relations to and differentiations from the well-established media forms and institutions traditionally within the scope of media studies. This volume does not seek to impose a uniform perspective; rather, the goal is to stimulate in-depth, globally-focused engagement with this burgeoning industry and establish a dynamic research agenda for scholars, teachers, and students, as well as creators and professionals across the media, communication, creative, and social media industries. Contributors include: Jean Burgess, Zoë Glatt, Sarah Banet-Weiser, Brent Luvaas, Carlos A.Scolari, Damián Fraticelli, José M. Tomasena, Junyi Lv, Hector Postigo, Brooke Erin Duffy, Megan Sawey, Jarrod Walzcer, Sangeet Kumar, Sriram Mohan, Aswin Punathambekar, Mohamed El Marzouki, Elaine Jing Zhao, Arturo Arriagada, Jeremy Shtern, Stephanie Hill
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Digital Film and Television Culture : From Hollywood to Social Media
Digital Film and Television Culture introduces a new framework for the aesthetic and cultural analysis of contemporary film and serial drama, stars on social media, and movie awards shows.It examines contemporary digital media culture with four specific case studies, their cultural contexts, and how audiences engage with them online. Drawing on two perspectives - the digital media circuit and the expanded cultural forum - as frameworks for the analysis, this book explores the complexity of film and television culture in the digital age.The analysis encompasses films with experimental storytelling techniques, from blockbusters to art film, coming-of-age serial drama as hybrid-genre, the visual identity narratives of movie stars on social media and the broadcast movie awards as a cultural authority in the era of streaming.The book offers in-depth case studies of Everything Everywhere All at Once, Stranger Things, the performance of Zendaya and Timothée Chalamet on Instagram, and the Academy Awards Ceremony as live media event genre.Each chapter includes a genre analysis, an examination of the cultural context and a micro-study of how audiences engage on Letterboxd, Reddit, or other social media. This timely, cross-disciplinary book is essential reading for students and scholars in film, media, cultural studies, celebrity and digital cultures and for anyone interested in contemporary film and television culture.
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Media Management and Live Experience : Sports, Culture, Entertainment and Events
Global and authoritative, this textbook maps modern, live experience media, the categories that thrive on real-time engagement and human connection – even in the age of synthetic content, AI and the Metaverse.Sports and sports betting, festivals, comedy, concerts, tours and theme parks are covered – plus theatre, trade events, conventions, museums and galleries, and immersive media. Live media events included are Burning Man, Glastonbury, the Indian Premier League, the English Premier League, Olympics, NBA and Bundesliga – plus sell-out Taylor Swift tours, the World Cup, Super Bowl, Ryder Cup and Formula One.Business models in this media category start with ticketing and advertising – now amplified with ecommerce, affiliate marketing, subscription and gambling transactions.Deep dives ask: Why is Saudi Arabia investing billions into golf and football?Why is standup comedy big in Nigeria? How are Broadway and the West End evolving? What do immersive technologies like Abba Voyage and the MSG Sphere offer for the future?With class questions, a quiz, summaries and slides for each chapter, this is a guide and course structure for anyone at university level or in industry studying the media, music, entertainment, events, exhibitions, sports, social media or gambling industries.
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Masculinity : Bodies, Movies, Culture
Lehman brings together new work on masculinity in film by established film scholars, new academics, performance artists, and cultural critics. The essays analyze trends from the role of gay men in saving heterosexuality to the emergence of new queer cinema.
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Streaming Culture : Subscription Platforms And The Unending Consumption Of Culture
The explosion of services such as Netflix, Spotify, Disney+, Apple Music, Amazon Prime and YouTube, which allow us to access content at the click of a button, has turned the norms surrounding cultural consumption upside down.How has this shift to an apparently unending supply of content affected the way we consume our favourite binge-worthy show, blockbuster movie or hot new album release?Positioning streaming alongside a major shift to contemporary capitalism, David Arditi demonstrates that streaming platforms have created an economy where consumers pay more for the same amount of consumptive time.Encouraging us to look beyond the seemingly limitless supply of multimedia content, Arditi calls attention to the underlying dynamics of instant viewing – in which our access to content depends on any given service’s willingness, and ability, to license it.
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Race, Culture and Media
Race, Culture and Media is a critical, impassioned and accessible exploration of this complex relationship.This new edition moves past conventional discourse on diversity, challenging you to confront the real issues of power and participation.Anamik Saha's approachable writing starts from the ground up, leading you through nuanced topics such as how capitalism and legacies of colonialism shape media content today, and the value and limitations of key concepts like stereotype, representation and racialisation.You will be empowered to:Understand the multifaceted theories and experiences of race and its intersections with gender, sexuality and class;Analyse key topics, from how algorithms/AI produce racism in digital media, to the politics of superdiversity in popular culture, to ongoing anti-migrant and anti-Muslim racism in news media;Engage with brand new case studies which cover the latest developments on how race is made in media, including YouTube and social media. This book will challenge your preconceptions and ignite your critical thinking, making it essential reading for students and researchers across media, communication and cultural studies.
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Television : Visual Storytelling and Screen Culture
For over two decades, Television has served as the foremost guide to television studies, offering readers an in-depth understanding of how television programs and commercials are made and how they function as producers of meaning.Author Jeremy G. Butler shows the ways in which camera style, lighting, set design, editing, and sound combine to produce meanings that viewers take away from their television experience. Highlights of the fifth edition include: An entirely new chapter by Amanda D.Lotz on television in the contemporary digital media environment. Discussions integrated throughout on the latest developments in screen culture during the on-demand era—including the impact of binge-watching and the proliferation of screens (smartphones, tablets, computer monitors, etc.). Updates on the effects of new digital technologies on TV style.
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Pop Culture, Politics, and the News : Entertainment Journalism in the Polarized Media Landscape
In Pop Culture, Politics, and the News, Joel Penney explores how pop culture news has taken on an important role in contemporary political discourse.Through coverage of topics like Hollywood diversity, celebrity controversy, and "cancel culture" backlash, entertainment journalism has emerged as a key source of political information and commentary, providing audiences with an accessible lens into some of the most hot-button issues of our time.Yet due to the "clickbait" economics of the polarized digital news business, the quality of entertainment journalism is often compromised, and consequently, people view pop culture coverage as "soft news" with little substance or public value.Very little is known about how this journalism is produced and consumed as a component of the digital news ecosystem.Moreover, we lack a measured sense of its potential impact on the political interests and knowledge of its audiences, the politics of the entertainment industry it covers, and the shape of public debate more broadly.Drawing on interviews with entertainment journalists and testimonials from news audiences who share these stories on social media, Joel Penney argues for the importance of reframing our understanding of impactful journalism and persuasive political communication when culture and identity have moved thoroughly to the center of U.S. public discourse. Moreover, Penney examines how audiences engage with this highly accessible and emotionally resonant form of journalism and use it as a resource for political expression and discussion, raising important questions about how it can serve as a bridge to public issue engagement as well as a potential distraction from on-the-ground political concerns.As a cutting-edge, data-rich analysis of the blurring boundaries between entertainment, politics, social media activism, and partisan journalism, Pop Culture, Politics, and the News makes a major contribution to public scholarship on the shifting digital information landscape.
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