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  • The Movies Have Another Body 1980 UK 7" vinyl GEMS29
    The Movies Have Another Body 1980 UK 7" vinyl GEMS29

    THE MOVIES Have Another Body (1980 UK 7 vinyl single with intact four-prong push-out centre also includes Bardot housed in GEM die-cut paper sleeve GEMS29)

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  • To Have and Have Not
    To Have and Have Not

    Harry Morgan was hard - the classic Hemingway hero - rum-running, gun-running and man-running from Cuba to the Florida Keys in the Depression.He ran risks, too, from stray coastguard bullets and sudden double-crosses.But it was the only way he could keep his boat, keep his independence, and keep his belly full... This classic novella was turned into a brilliant film by Howard Hawks - the film in which Humphrey Bogart and Lauren Becall met - and remains an important work by one of the greatest American novelists of the twentieth century.

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  • To Have and Have Not
    To Have and Have Not

    Ernest Hemingway's adventure novel set on the verge of the tropics. 'Listen,' I told him. 'Don't be so tough so early in the morning. I'm sure you've cut plenty of people's throats. I haven't even had my coffee yet.'Harry Morgan is a tough guy making his living during the Depression from his motor boat in Key West, Florida.Although he normally takes out fishing parties, sometimes his boat can be put to other uses.If the money offered is worth his while, Harry will run guns, rum and men to and from Cuba.But he is playing a dicey game. Hemingway's hardest hero risks not just his living, but his life. 'Absorbing and moving. It opens with a fusillade of bullets, reaches its climax with another, and sustains a high pitch of excitement throughout' Times Literary Supplement

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  • You Have Not Yet Heard Your Favourite Song : How Streaming Changes Music
    You Have Not Yet Heard Your Favourite Song : How Streaming Changes Music

    One of the best music books of the year – Neil McCormick, Daily Telegraph For the first time in history, almost every song ever recorded is available instantly.Everywhere. This book charts what music’s dazzling digital revolution really means for fans and artists.As a former data guru at the world’s biggest streaming service, Spotify, Glenn McDonald reveals: What the tech giants know about youHow they serve up your next songWhether fans can cheat the algorithmWhether jazz is dead and ASMR is the new punkYour chances of becoming a rock star Having analysed the streams of 500 million people, McDonald explores what the data tells us about music and about ourselves, from the secrets of russelåter in Norway to Christmas in the Philippines.Statistically, you have not yet heard your lifetime’s favourite song.This book will take you on a voyage of discovery through music’s fast-flowing new waters. 10 bonus playlists of wonder included! About the Author Glenn McDonald is expertly placed to provide a comprehensive picture of the global music industry in the 2020s. Growing up in 198Os and 1990s America, he was an obsessive collector of physical music – CDs and vinyl albums.But he soon realised the revolutionary power of digital media to make songs more widely accessible. He started doing data work at the US music-intelligence startup The Echo Nest, which was soon acquired by Spotify.He became Spotify's 'Data Alchemist.' His website Every Noise at Once (everynoise.com) is an unprecedented computational map of the world’s music genres. Reviews 'If you want to know anything about how music surfaces today, how to find it, or how to create it, you will find what you need right here. And you will be highly entertained and amused in the process.' – Joseph Menn, Washington Post staff writer and author of All the Rave: The Rise and Fall of Shawn Fanning's Napster. 'We used to sell CDs by the weight of pallets, thanks to streaming we know how our content is consumed.In this immersive book, Glenn has demonstrated what we can do with this knowledge, so other industries facing their Napster Moment can learn from his unrivalled first mover advantage' – Will Page, author of Pivot and former Chief Economist of Spotify 'I'd say that reading this book is the next best thing to having an in-depth, impassioned, hours-long fika with Glenn McDonald about music and culture and all of the most burning topics of our time... but, I'd be lying. It's even better. This book is a true behind-the-scenes examination of our culture and our industry from the perspective of someone who was in the thick of it from the beginning.It's a history of the streaming era, written by someone who made history in the streaming era." Meg Tarquinio, PhD, Spotify/Twitch/Nettwerk Music Group 'Throughout McDonald's book, personal anecdotes and his own love of music spill out in witty, conversational prose.Even chapters that delve into streaming's complex finances – unsurprisingly, your £15 monthly fee does not go directly to your favourite artist, but is split between that month's "most streamed," meaning that megastars such as Swift and Ed Sheeran stay at the top of the pyramid – are told in layman's terms.' Poppie Platt, The Daily Telegraph ExtractCHAPTER 9.MERCENARIES AND FAN ARMIES Where there's an 'economic system,' there's probably fraud. This is not a proud truth to admit about humanity, but it seems to me to have been consistently historically true.Money is supposed to be a bookkeeping mechanism, but it becomes a goal. Fraud and cheating existed in the music business, like any business, long before streaming happened.Back when charts were based on people reporting sales numbers on phone calls, those people could be bribed to say different numbers.Radio DJs could be paid to pretend they were playing a song more because they just liked it.Accounting could be manipulated. Streaming doesn’t necessarily make cheating easier, overall, but it definitely makes it more accessible to introverts.Instead of making phone calls, you can write computer programs that pretend to be streaming-music listeners.Piracy maintains a certain dastardly allure. Streaming music fraud is not, to be brutally honest, the most glamorous or profitable form of dastrardry.Streaming rewards accumulate in tiny micro-transactions, and the software necessary to laboriously accumulate micro-royalties illegitimately isn’t any easier to write than legal software for which you can get paid normal salaries.It only really scales if you become a service-provider selling fraud as a service, and then you’re a business with business problems, instead of a pirate with a rakish eye-patch and the sea air in your hair.If you want to cheat your way to riches, you’re better off trying to do it in junk stocks or cryptocurrencies, where there’s way too much money sloshing around and the distinction between “legitimate” behavior and cheating is fuzzy. So you might have thought that fraud wouldn’t be a big issue in str

    Price: 16.99 £ | Shipping*: 3.99 £
  • Why is streaming movies that have already aired on television illegal on the internet?

    Streaming movies that have already aired on television is illegal on the internet because it violates copyright laws. When a movie is aired on television, the network or streaming service has obtained the rights to broadcast it for a specific period of time. By streaming the movie on the internet without proper authorization, individuals are essentially distributing copyrighted material without permission, which is illegal. This can result in legal consequences for both the person streaming the movie and the website hosting the illegal content. It is important to respect copyright laws and support the creators and distributors of the content by accessing movies through legal and authorized channels.

  • What entertainment media and entertainment electronics are available?

    There is a wide range of entertainment media and electronics available, including streaming services like Netflix, Hulu, and Amazon Prime for watching movies and TV shows. Additionally, there are gaming consoles such as PlayStation, Xbox, and Nintendo Switch for playing video games. Other entertainment electronics include smart TVs, sound systems, and virtual reality headsets for an immersive experience. Furthermore, there are also e-readers and audiobook services for those who enjoy reading and listening to books.

  • Does anyone have good Netflix movies/shows for teenagers?

    Yes, there are several good Netflix movies and shows for teenagers. Some popular options include "Stranger Things," "The Umbrella Academy," "To All the Boys I've Loved Before," "The Kissing Booth," "The Society," "Outer Banks," and "Never Have I Ever." These shows and movies offer a mix of drama, romance, mystery, and coming-of-age themes that are appealing to teenagers.

  • Why are there hardly any movies on television anymore, only shows?

    There are several reasons why there are fewer movies on television compared to shows. One reason is that television networks have found that shows, especially serialized ones, tend to attract more consistent viewership and can build a loyal fan base over time. Additionally, producing shows can be more cost-effective than airing movies, as shows can be produced in bulk and have multiple episodes to generate revenue. Lastly, with the rise of streaming services offering a wide variety of movies on demand, traditional television networks may have shifted their focus to producing original content and acquiring popular shows to stay competitive in the market.

Similar search terms for Have:


  • Media & Entertainment Law
    Media & Entertainment Law

    Now in its fifth edition, this textbook combines comprehensive coverage with rigorous analysis of a key area of the law.The author illuminates how the courts strive to strike a balance between the freedoms and responsibilities of the press on the one hand and an individual’s right to privacy on the other. Maintaining its coverage of the law across the UK (including Scotland and Northern Ireland) and the EU, the new edition has been brought up to date with expert insights into significant developments and judgments, including: the impact of changes in intellectual property law, data protection, GDPR and copyright law post Brexit – including the cases of Schrems II and Ed Sheeran; analysis of new case law and developments in privacy and freedom of the media – including Duchess of Sussex (Meghan Markle) v The Mail on Sunday and ZXC v Bloomberg; the introduction of new Scottish defamation laws and the importance of defamatory meaning; the response to disinformation, fake news and social media – including tweeting jurors and contempt. With a variety of pedagogical features to encourage critical thinking, this unique textbook is essential reading for media and entertainment law courses at undergraduate and postgraduate levels and an insightful resource for students and reflective practitioners of journalism, public relations and media studies.

    Price: 39.99 £ | Shipping*: 0.00 £
  • The Dogs Have Barked, the Birds Have Flown
    The Dogs Have Barked, the Birds Have Flown


    Price: 11.99 £ | Shipping*: 3.99 £
  • Streaming Music : Practices, Media, Cultures
    Streaming Music : Practices, Media, Cultures

    Streaming Music examines how the Internet has become integrated in contemporary music use, by focusing on streaming as a practice and a technology for music consumption.The backdrop to this enquiry is the digitization of society and culture, where the music industry has undergone profound disruptions, and where music streaming has altered listening modes and meanings of music in everyday life.The objective of Streaming Music is to shed light on what these transformations mean for listeners, by looking at their adaptation in specific cultural contexts, but also by considering how online music platforms and streaming services guide music listeners in specific ways.Drawing on case studies from Moscow and Stockholm, and providing analysis of Spotify, VK and YouTube as popular but distinct sites for music, Streaming Music discusses, through a qualitative, cross-cultural, study, questions around music and value, music sharing, modes of engaging with music, and the way that contemporary music listening is increasingly part of mobile, automated and computational processes.Offering a nuanced perspective on these issues, it adds to research about music and digital media, shedding new light on music cultures as they appear today.As such, this volume will appeal to scholars of media, sociology and music with interests in digital technologies.

    Price: 43.99 £ | Shipping*: 0.00 £
  • Have You Heard
    Have You Heard


    Price: 5.99 £ | Shipping*: 3.99 £
  • Do you have any recommendations for movies and TV shows?

    I can recommend a variety of movies and TV shows based on your preferences. If you're looking for a gripping crime drama, I suggest watching "Mindhunter" on Netflix. For a heartwarming and humorous TV show, "Brooklyn Nine-Nine" is a great choice. If you're in the mood for a thought-provoking movie, "Inception" is a mind-bending thriller that will keep you on the edge of your seat. Let me know if you have any specific genres or themes in mind, and I can provide more tailored recommendations!

  • Which plot twists have ruined good movies or TV shows?

    One example of a plot twist that ruined a good TV show for many viewers is the ending of "How I Met Your Mother." After nine seasons of building up to the moment when Ted finally meets the mother of his children, the show's creators decided to have her die, leaving Ted to end up with Robin instead. This twist left many fans feeling disappointed and betrayed after investing so much time in the show's central mystery. Another example is the plot twist in the movie "The Village" directed by M. Night Shyamalan. The twist at the end of the movie revealed that the characters were actually living in a present-day village and not in the 19th century as they had been led to believe. This twist was seen as a letdown by many viewers who had been invested in the period setting and the suspenseful atmosphere of the film. In both cases, these plot twists were seen as undermining the emotional investment and expectations of the audience, ultimately detracting from the overall enjoyment of

  • Do people really have sex in movies and television?

    In movies and television, the depiction of sex is often simulated and not real. Actors use various techniques and camera angles to create the illusion of sex without actually engaging in sexual activity. However, there are some instances where actors may choose to perform real sex scenes for the sake of authenticity, but this is relatively rare and usually only occurs in independent or art-house films. Overall, the sex scenes we see in movies and television are typically staged and not real.

  • 'In Turkish television shows...'

    In Turkish television shows, there is a strong emphasis on drama and romance, often featuring complex storylines and emotional performances. The shows also often incorporate elements of traditional Turkish culture and family values, providing a glimpse into the everyday lives of Turkish people. Additionally, Turkish television shows have gained popularity internationally, with many being dubbed or subtitled in different languages for global audiences to enjoy. Overall, Turkish television shows offer a unique blend of drama, romance, and cultural insight that has captivated audiences around the world.

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