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Freaks, Gleeks, and Dawson's Creek : How Seven Teen Shows Transformed Television
The untold stories of seven revolutionary teen shows (The Fresh Prince of Bel-Air, My So-Called Life, Dawson's Creek, Freaks and Geeks, The O.C., Friday Night Lights, and Glee) that shaped the course of modern television and our pop cultural landscape forever. The modern television landscape is defined by influential and ambitious shows for and about teenagers.Groundbreaking series like Euphoria, Sex Education, and Pen15 dominate awards season and lead the way when it comes to progressive, diverse, and creative storytelling.So how did we get here from Beverly Hills, 90210?In Freaks, Gleeks, and Dawson's Creek, entertainment journalist Thea Glassman takes readers behind the scenes of seven of the most culturally significant series of the last three decades, drawing on dozens of new interviews with showrunners, cast, crewmembers, and more.These shows not only launched the careers of such superstars as Will Smith, Michael B.Jordan, Claire Danes, and Seth Rogen, but they also took young people seriously, proving that teen TV could be smart, revolutionary, and "important"-and stay firmly entrenched in pop culture long after it finished airing. And while many critics insist that prestige dramas like The Sopranos and Mad Men paved the way for television, some of the most groundbreaking work was actually happening inside the fictional hallways of high schools across America in teen shows whose impact remains visible on our screens today.
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How Does Streaming Work?
Whether you're watching a movie, bingeing on a classic TV show or listening to your favourite song, you're probably streaming it.Videotapes, DVDs and CDs are mostly just memories now.Streaming puts a world of options at your fingertips when you're at home and, with a smartphone or tablet, when you're on the go.Find out how streaming was invented, how it works and what the future might hold for this part of a high-tech life.
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My Family Cinema MFC Best online streaming platform Newest Movies TV shows
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How Media Ownership Matters
Does it matter who owns and funds the media? As journalists and management consultants set off in search of new business models, there's a pressing need to understand anew the economic underpinnings of journalism and its role in democratic societies.How Media Ownership Matters provides a fresh approach to understanding news media power, moving beyond the typical emphasis on market concentration or media moguls.Through a comparative analysis of the US, Sweden, and France, as well as interviews of news executives and editors and an original collection of industry data, this book maps and analyzes four ownership models: market, private, civil society, and public.Highlighting the effects of organizational logics, funding, and target audiences on the content of news, the authors identify both the strengths and weaknesses various forms of ownership have in facilitating journalism that meets the democratic ideals of reasoned, critical, and inclusive public debate.Ultimately, How Media Ownership Matters provides a roadmap to understanding how variable forms of ownership are shaping the future of journalism and democracy.
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How to Watch Television, Second Edition
A new edition that brings the ways we watch and think about television up to the presentWe all have opinions about the television shows we watch, but television criticism is about much more than simply evaluating the merits of a particular show and deeming it “good” or “bad.” Rather, criticism uses the close examination of a television program to explore that program’s cultural significance, creative strategies, and its place in a broader social context. How to Watch Television, Second Edition brings together forty original essays—more than half of which are new to this edition—from today’s leading scholars on television culture, who write about the programs they care (and think) the most about.Each essay focuses on a single television show, demonstrating one way to read the program and, through it, our media culture.From fashioning blackness in Empire to representation in Orange is the New Black and from the role of the reboot in Gilmore Girls to the function of changing political atmospheres in Roseanne, these essays model how to practice media criticism in accessible language, providing critical insights through analysis—suggesting a way of looking at TV that students and interested viewers might emulate.The contributors discuss a wide range of television programs past and present, covering many formats and genres, spanning fiction and non-fiction, broadcast, streaming, and cable.Addressing shows from TV’s earliest days to contemporary online transformations of the medium, How to Watch Television, Second Edition is designed to engender classroom discussion among television critics of all backgrounds. To access additional essays from the first edition, visit the "links" tab at nyupress.org/9781479898817/how-to-watch-television-second-edition/.
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Media and Entertainment Industry Management : How to Integrate Business and Management with Creativity and Imagination
The media and entertainment industry (MEI) differs significantly from traditional industries in many respects.Accordingly, the management of strategy, marketing and other business practices in the MEI necessitates a unique approach.Sunghan Ryu offers students focused and relevant insights into critical topics, illustrated by vivid examples from the MEI.Unlike typical introductory textbooks on business and management, this book does not overemphasize complicated layers of theory.Instead, it presents essential concepts and frameworks in a digestible manner and supplements them with opportunities to apply this knowledge to real-world cases.The textbook demonstrates how knowledge can be constructively implemented in business and management scenarios.It is structured into 12 chapters, divided into five core modules: (1) Overview of the MEI, (2) The Fundamentals of Management, (3) Marketing Management, (4) Digital Business and Management, and (5) New Business Models and Entrepreneurship.Students will gain the ability to explain key concepts and frameworks across core business and management domains and develop analytical skills through diverse real-world cases in the MEI.Based on this knowledge, they will be equipped to identify management-related issues in the MEI and arrive at practical and effective solutions. This book is an essential guide for students who wish to understand business and management in the dynamic world of the MEI.
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How Media and Conflicts Make Migrants
The book explores how we understand global conflicts as they relate to the “European refugee crisis”, and draws on a range of empirical fieldwork carried out in the UK and Italy.It examines how global conflict has been constructed in both countries through media representations – in a climate of changing media habits, widespread mistrust, and fake news.In so doing, it examines the role played by historical amnesia about legacies of imperialism – and how this leads to a disavowal of responsibility for the causes why people flee their countries.The book explores how this understanding in turn shapes institutional and popular responses in receiving countries, ranging from hostility—such as the framing of refugees by politicians, as 'economic migrants' who are abusing the asylum system; to solidarity initiatives.Based on interviews and workshops with refugees in both countries, the book develops the concept of “migrantification” – in which people are made into migrants by the state, the media and members of society.In challenging the conventional expectation for immigrants to tell stories about their migration journey, the book explores experiences of discrimination as well as acts of resistance.It argues that listening to those on the sharpest end of the immigration system can provide much-needed perspective on global conflicts and inequalities which challenges common Eurocentric misconceptions.Interludes, interspersed between chapters, explore these issues in another way through songs, jokes and images. -- .
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Remotely Controlled : How television is damaging our lives
The figures are frightening: Britons currently spend an average of four hours a day watching television - that's more than a 24-hour day per week.Television has become our national obsession: it is our main source of common experience; it affects the way we think and act and, according to psychologist and broadcaster Dr Aric Sigman, its hold over our lives is so significant that, in some families, the television has greater influence over children than parents do. In this insightful and shockingly perceptive assessment of our nation's relationship with the small screen, Dr Aric Sigman reveals for the first time the alarming reality of what television is actually doing to us physically, emotionally, intellectually and socially.He provides evidence as to how television contributes to the rising global obesity rate by actually slowing our metabolic rate, stunts our children's brain development, and is responsible for over half of all rapes and murders in the industrialised world.Yet Remotely Controlled is much more than an indictment of the dangers of watching television.Sigman aims to draw our awareness to the glaring imbalance in our lives and show us how we can re-establish control away from the remote control.This book is a compelling read which will cause us all to take a step back and reassess our viewing habits.
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